Born in 1946, she lives and works in Madrid.

Specialized in engraving, she really begins to paint from the end of the 1970s, representing dark visions with mannequins and unmoving people. A four-year stay in Panama and the discovery of pure colors turned her art from dusk into a symbolic language of sensation, made of experiment on colors and vibration of fragile outlines.

De Roux’s archetypal scenes flutter in a half sleep. Emphasized by a geometrical simplification of volumes, people are fixed in an enigmatic stillness in the middle of a luxuriant paradise, symbolized by the tactile pleasure but precarious ripeness of her still lives. A troubling dissonance results from these primitive visions of a wealthy nature shrouded with a diaphanous sadness.

Like distant echoes to Piero della Francesca and Henri Rousseau, her paintings appear like mental projections of events dreamed or lived in the past. In the search of meaning, Monique de Roux shapes an interstice in which reality and dreams touch lightly and disclose an intuition of eternity.

Selected solo and group exhibitions

2014      Galería Pelayo47, Madrid

2013      Moesta et Errabunda, Galerie Alain Blondel, Paris; Galería José Rincón, Madrid

2007      Inter Art Gallerie Reich., Cologne

2000      Nosotras: Mujeres Grabadoras, Museo del Grabado Espaňol Contemporáneo, Málaga

1998      Autorretrato Colectivo, Museo de Arte Contemporáneo, Madrid; Homenaje a Federico

               Garcia Lorca, Museo Postal y Telegráfico, Madrid